:47:02
I'm working on it.
Got a few leads.
:47:06
Don't worry about it.
I'll get a job next week.
:47:09
God, I can't believe you went
to Anthony's without me.
:47:16
Oh, sweetie.
:47:18
Honey, would you come in here
for a minute?
:47:23
Sweetie, you remember Maxine?
:47:34
I'm going to go to bed.
I'm really tired.
:47:36
Honey, I made spaghetti.
You don't want some?
:47:39
No. I have to get up early
for class tomorrow.
:47:42
It's really quite something
to see you all grown up, Enid.
:47:48
I'd love to know
what you're doing now.
:47:49
I can't help but feel...
:47:52
I had some small part
in how you turned out.
:47:56
What are you studying?
:47:59
You were always
such a smart little girl.
:48:03
I'm taking a remedial
high school art class...
:48:06
for fuck-ups and retards.
:48:11
Who is this, Enid?
:48:14
It's supposed to be Don Knotts.
:48:15
And what was your reason for
choosing him as your subject?
:48:22
I don't know.
I just like Don Knotts.
:48:26
Interesting.
:48:27
What do we have here, Margaret?
:48:31
It's a tampon in a teacup.
:48:33
I can see that.
:48:35
What can you tell us about it?
:48:37
First of all,
what kind of sculpture is this?
:48:40
It's a found object.
:48:42
That's where an artist
takes an ordinary object...
:48:44
and places it
in an artistic context...
:48:46
and thus, it becomes art.
:48:47
But what can you
tell us about it...
:48:49
in regard
to your artistic intent?
:48:52
Well, I guess I see the teacup
as a symbol for womanhood.
:48:58
Such as tea parties
in the olden days...