:59:02
So I decided to do my project
based on this discovery...
:59:05
as kind of a comment
on racism...
:59:09
and how it's whitewashed over
in our culture.
:59:12
Did you actually
do this painting?
:59:14
Well, no,
it's more of a found art object.
:59:19
How do you think this addresses
the subject of racism?
:59:23
It's complicated.
:59:25
I guess I'm trying to show...
:59:27
how racism used to be
more out in the open...
:59:29
and now it's hidden
or something.
:59:32
And how do you think
an image like this...
:59:35
helps us to see that?
:59:36
I'm not sure.
:59:42
I guess because when
we see something like this...
:59:45
it seems really shocking.
:59:47
And we have to wonder
why it's so shocking.
:59:56
I don't really
know what to say, Enid.
1:00:02
I think
it's a remarkable achievement.
1:00:08
I'm going to let you handle
the 4:30 crowd by yourself.
1:00:11
That way, I can evaluate your
performance while it's slow.
1:00:14
Then we'll ease you
into the big crowds, all right?
1:00:16
-You can count on me, sir.
-Cool.
1:00:22
Do you serve beer
or any alcohol?
1:00:26
I wish.
1:00:28
Actually, you wish.
1:00:30
After about five minutes
of this movie...
1:00:31
you're going to wish
you had ten beers.
1:00:41
What are you doing? You don't
ever criticize the feature.
1:00:44
Why?
What's the difference?
1:00:46
I mean,
we already got his money.
1:00:49
Look, that's the policy, OK?
1:00:51
If you want to make up
your own rules...
1:00:52
open up your own theater.
1:00:57
And let me have lots of butter
on it.