1:31:01
I came to Paris in 1967...
1:31:05
...to help a friend open an antique shop.
1:31:08
My parents helped me out financially.
1:31:12
Things were a lot easier back then.
1:31:15
You entered a bar, met a guy...
1:31:18
...the next morning you had a new job.
1:31:22
Everything was politicized.
1:31:25
Making pornographic films
was also a political act.
1:31:30
So we started making films...
1:31:32
...with girIs we met in bars.
1:31:34
Or friends, or strangers for whom
it was more fun than orgies.
1:31:40
In ''I'm hard...
1:31:42
...I come, I sing''...
1:31:45
...friends hung out on the set.
An hour later they were acting.
1:31:50
Which gave us amazing scenes,
total anarchy.
1:31:53
Then we started
a production company...
1:31:58
So then things get serious.
1:32:01
Of course, to continue,
you had to go professional.
1:32:06
Of course, I go to the cinema.
I'm not stupid.
1:32:11
I know about Bergman, Antonioni...
a certain modernity...
1:32:16
But as for me...
1:32:19
...I make porn films.
1:32:23
I could've filmed nude women
in front of factories.
1:32:26
But it wouldn't have been exciting.
And people liked what I did.
1:32:32
And besides, I enjoyed what I did.
1:32:40
Which is your favorite film?
1:32:46
''Diary of a Sow.''
1:32:49
It's a true story,
almost autobiographical.
1:32:54
It contains a lot of my fantasies,
like nuns...
1:32:59
...or my relation to my mother.