:49:00
Yes, if you like it.
:49:03
Don't wait for me.
:49:05
See you.
:49:27
Sorry, but I needed
to see you...
:49:29
...downhere, I was drowning.
:49:31
Don't worry,
why is it so urgent?
:49:37
I want you to replace me.
:49:39
Why? You're doing it all right.
:49:42
No, I'm not doing it right,
I lost interest and...
:49:47
It's about her, right?
:49:49
I feel strange things.
:49:51
I'm very confused.
:49:54
You must replace me,
you must...
:49:56
...send another agent
or we will lose Many.
:49:59
I can't. The truth is...
:50:01
...there's nobody else.
I can't replace you.
:50:04
The old ones don't know
what to do down there.
:50:08
-And the new ones?
-They don't work.
:50:11
Most of them are here because
of objective conditions...
:50:15
...not for their own merits.
:50:17
They don't integrate,
they just watch TV...
:50:20
...and eat hamburguers.
They are a disaster.
:50:26
Are we so bad?
:50:28
Worse than that.
:50:30
Look.
:50:34
And my audience?
:50:36
There's no other choice, Lola.
:50:38
Keeping this is
very expensive.
:50:41
And to tell you the truth,
it's not easy.
:50:45
If we don't have a radical
change, we won't...
:50:48
...resist more than a year.
:50:50
You must get Many to
come with us at any price.
:50:54
But Many is just one soul.
I don't know how...
:50:57
Do you know the story
of Cleopatra's nose?