:31:01
. . .because it clarified
the feeling we all have. . .
:31:04
. . .that good and evil does not
come in the expected package.
:31:16
I guess I won't be seeing you again.
:31:20
I shall be moving on.
:31:22
I must prepare for my work
at Beardsley College in the fall.
:31:26
Then I guess this is goodbye.
:31:30
Yes.
:31:33
Don't forget me.
:31:40
It shocks me when people say
Stanley didn't make "people" movies.
:31:44
He made movies about machines or. . . .
:31:48
It's always confounded me.
:31:50
Lolita is, you know,
nothing like the book.
:31:53
But he did draft the author
to write the screenplay.
:31:58
They were in collaboration
with each other. . .
:32:00
. . .in another kind of version
away from the novel. . .
:32:04
. . .that is much more about the human
condition than the novel was.
:32:07
Lolita works. . .
:32:09
. . .as the very first
Stanley Kubrick film for me. . .
:32:13
. . .because I couldn't imagine
anybody else making Lolita.
:32:17
It's a comedy but it's got
serious elements.
:32:22
It's risqué. It's in your face.
:32:23
It's got big performances. . .
:32:26
. . .and it works completely.
:32:28
You're a disgusting, despicable,
loathsome, criminal fraud!
:32:33
Don't do that.
:32:35
-Can we discuss...
-Get out of my way.
:32:37
-Get out of my way!
-No. I want to talk...
:32:39
Go on, get out of my way.
:32:43
I'm leaving here today.
:32:46
You can have all of it.
:32:48
But you are never going to see
that miserable brat again!
:32:52
At a time when American cinema in the
early '60s was on the way down. . .
:32:56
. . .the studio system was finishing. . .
:32:59
. . .this was a man with authority making
you look a certain way at things.