:56:02
. . .intellectual drive of the film.
:56:16
I actually knew that piece of Ligeti
he used. . .
:56:19
. . .and I remember seeing 200 1
and thinking:
:56:22
"This can't possibly be Ligeti
in a Hollywood film. "
:56:26
But it was, and of course, it makes
the sequence utterly unforgettable.
:56:40
It was for me,
especially the visual fantasy. . .
:56:47
. . .with the speed, with the color
and light changes. . .
:56:50
. . .when the spaceship goes down. . .
:56:54
. . .on the moon of Jupiter.
:56:58
And then the speed is more and more
and more. . .
:57:02
. . .and it was very clear. . .
:57:05
. . .that Dr. Einstein pretended. . .
:57:08
. . .that the light velocity is
the highest, you cannot go beyond.
:57:12
But in this film it was suggested
as it would be. . .
:57:16
. . .beyond the speed of light and then
we enter in another world.
:57:21
I never know whether the images
arose out of the music or vice versa.
:57:26
The true thing to say is that they
became in his imagination, clearly. . .
:57:30
. . .and so have become in ours,
totally inseparable.