1:10:00
You'd have to say. . .
1:10:03
. . .Stanley's view of human nature. . .
1:10:06
. . .was, you know, really
very, very bleak.
1:10:09
It's fairly miraculous,
in this day and age. . .
1:10:12
. . .to have pursued the kind of career
he pursued. . .
1:10:16
. . .in making these
uncompromising movies.
1:10:19
It had been a wonderful evening.
1:10:21
And what I needed now
to give it the perfect ending...
1:10:25
... was a bit
of the old Ludwig van.
1:10:42
Kubrick is playing around
with the music. . .
1:10:45
. . .with what he'd done previously.
1:10:47
Having taken like a real classy
classical music score. . .
1:10:51
. . .for his previous film. . .
1:10:53
. . .now he's saying Beethoven. . .
1:10:55
. . .but we'll also have the
"William Tell Overture" played fast.
1:11:04
Kubrick's being playful in the same way
as when Alex visits the record store.
1:11:09
There in the record rack
is a copy of 200 1.
1:11:14
Which is a great joke, but also
we're also talking about a director. . .
1:11:18
. . .who has given up being
influenced by others.
1:11:21
A film director whose primary
influence has become himself.
1:11:26
For now it was lovely music
that came to my aid.
1:11:30
There was a window open
with a stereo on...
1:11:34
...and I viddied right at once
what to do.