1:14:01
I didn't understand at the time,
being a young actor. . .
1:14:05
. . .and not having done
very many films. . .
1:14:08
. . .so being somewhat inexperienced. . .
1:14:10
. . .that, you know, that the way
of a film life is:
1:14:14
Intense relationship, separate.
1:14:17
Intense relationship, separate.
1:14:19
So I was expecting the relationship
to carry on in some form. . .
1:14:24
. . .but he cut it like this.
He didn't really want to know.
1:14:28
It was over for him.
1:14:31
I think the other thing is, some
of the things I said about him. . .
1:14:34
. . .which were perhaps unfair. . .
1:14:36
. . .maybe it was a cry out to say:
1:14:39
"Stanley, pick up the phone
and call me. "
1:14:42
And of course, he never did.
1:14:44
I have arranged a little
surprise for you.
1:14:47
Surprise?
1:14:48
One that I hope
that you will like. . .
1:14:50
. . .as a. . .
1:14:52
. . .how shall we put it. . .
1:14:54
. . .as a symbol of
our new understanding.
1:14:58
An understanding
between two friends.
1:15:14
A Clockwork Orange dealt in part
with media exploitation. . .
1:15:18
. . .but now real life imitated art.
1:15:35
The film was blamed for many brutal
crimes committed by youths. . .
1:15:38
. . .claiming to have been inspired
by the film's violence.
1:15:41
The reaction had a devastating impact
on Kubrick and his family.
1:15:46
The attack on Clockwork Orange
was fierce in Britain.
1:15:50
It was unbelievable.
1:15:53
He was directly accused
of murder and mayhem.
1:15:57
Then every crime in England
was because of Clockwork Orange.