Stanley Kubrick: A Life in Pictures
prev.
play.
mark.
next.

1:17:02
For him to be able to do that
was always astonishing to us.

1:17:06
I remember me as a young
filmmaker thinking:

1:17:09
"That's extraordinary. "
1:17:11
But more than that is, actually,
he had the will to do it.

1:17:15
It hurt him financially,
but he didn't care.

1:17:18
It hurt Warner Bros. even more
financially, but they obliged.

1:17:22
It wasn't worth it to them.
1:17:24
Having peace with Stanley, and making
more films with Stanley.

1:17:29
Having him under contract for the
rest of his life was more important. . .

1:17:33
. . .than if the film played in England.
1:17:36
For the release of the film, Kubrick
went beyond the role of a director. . .

1:17:40
. . .persuading Warner Bros. about
how the film should be sold.

1:17:45
If you've taken all the trouble
with preproduction, shooting. . .

1:17:49
. . .with the postproduction
and trying to get the film together. . .

1:17:54
. . .and approach it in so many ways. . .
1:17:56
. . .why do you not be a part of it
just when the public's gonna see it?

1:18:00
Clockwork Orange was the second
largest-grossing film. . .

1:18:04
. . .in the history of Warner's
after My Fair Lady.

1:18:07
I'd meet with the foreign distribution
guys and say, "Wait a minute.

1:18:11
What we're doing is
following Stanley's instruction. . .

1:18:14
. . .and getting a great result. We're
grossing huge numbers on a picture. . .

1:18:19
. . .you said would be a catastrophe
because it was so inaccessible.

1:18:25
Is it not possible that he knows
something we don't know?

1:18:28
Is it not possible that his way
is a better way?"

1:18:32
They go, "No, he doesn't know.
He's just a pain in the ass. "

1:18:36
Kubrick had a unique relationship
with Warner Bros.:

1:18:39
Complete creative control and the
support of a major Hollywood studio.

1:18:44
We all envied that more than anything
over here.

1:18:47
The fact that one studio would
support an artist in that way. . .

1:18:51
. . .is extraordinary.
1:18:53
It was a question
of working with a master. . .

1:18:56
. . .and wanting to do
the movies of Stanley Kubrick.

1:18:59
There weren't runaway costs,
it was always overblown. . .


prev.
next.