1:32:01
You know something
is building up in this place.
1:32:04
And the way...
1:32:07
It's the blandness, let's say,
of the people.
1:32:10
How quiet they are.
1:32:12
Is Tony the one that
tells you things?
1:32:20
How does he tell you things?
1:32:24
It's like I go to sleep
and he shows me things.
1:32:28
But when I wake up,
I can't remember everything.
1:32:33
Has Tony ever told you
anything about this place?
1:32:37
About the Overlook Hotel?
1:32:40
It's holding back this emotional,
powerful punch that'll happen.
1:32:43
You know it'll come somehow,
at some time. . .
1:32:47
. . .and it just creates such suspense.
1:32:50
Is there something bad here?
1:32:58
At first I was taken aback
by the performance. . .
1:33:01
. . .and then after
the third or fourth viewing. . .
1:33:05
. . .I understood
the level of intensity. . .
1:33:08
. . .of what Nicholson was doing.
1:33:10
I'm not sure that it's
intended to be. . .
1:33:14
. . .what a typical horror movie is,
which is a realistic portrayal. . .
1:33:17
. . .of supernatural spookiness.
1:33:20
I think that what's going on
in that movie. . .
1:33:24
. . .is largely going on
in Jack Nicholson's head.
1:33:35
Hi, Lloyd.
1:33:40
A little slow tonight,
isn't it?
1:33:47
Yes, it is, Mr. Torrance.
1:33:49
I like the kind of film he makes.
1:33:51
I don't need to be
naturalistic in a film. . .
1:33:55
. . .to feel satisfied as an actor.
1:33:59
One thing he said to me that
I'll always remember was: