1:22:00
She's the only one worth spending
any time with in this hellhole.
1:22:05
No offense.
You have some nice qualities.
1:22:08
But for a review,
you'd sell me for medicine.
1:22:11
-Don't let her get away.
-Too late.
1:22:14
No, it's not. Trust me.
l'm telling you--
1:22:21
-That's Hal!
-lt is?
1:22:23
He's here with the film! We're saved!
1:22:26
-We're beyond saving.
-You wanna see the film?
1:22:29
-l don't care.
-This could put you back on top.
1:22:32
-You think? On top?
-''May l have the envelope, please?''
1:22:37
Hal! lt's Hal. Hal!
1:22:46
-He's got the film. Go, go.
-He's the director.
1:22:50
-He looks good.
-He looks great.
1:22:57
Let's get started. l'm Lee Phillips.
Welcome to Time Over Time.
1:23:02
Thank you.
1:23:04
l'll go out on a ledge here
and say....
1:23:08
l couldn't help myself.
1:23:10
Welcome the man responsible
for this junket, Dave Kingman.
1:23:17
Thank you very much.
1:23:19
They say that good things come
to those who wait.
1:23:24
l waited 20 years to work
with the great Hal Weidmann.
1:23:28
-Hal's cinematic influence has been--
-That's good. Thank you.
1:23:33
Thank you.
1:23:36
My name is Hal Weidmann. Hello.
1:23:42
Ladies and gentlemen...
1:23:44
...this is the most honest movie
l have ever made.
1:23:49
l wasn't looking for it. lt came
to me like a bus in the street.
1:23:54
Or the woman who changes
the flowers at our desert house.