:24:04
So what you feeI...
:24:09
How'd you make out?
:24:11
What?
:24:13
With Griffin--how'd it go?
:24:14
Fine. Just fine.
:24:16
He's gonna do
what's best.
:24:18
For who?
:24:20
For everybody concerned:
Mona, for himseIf...
:24:28
No. Hey, don't do that, pIease.
I was watching.
:24:30
-You were sIeeping.
-No, I wasn't.
:24:33
Your eyes were cIosed.
:24:35
I was watching
through my eyeIids.
:24:39
-You're very strange.
-Yes, I am, aren't I?
:24:42
Yes.
:24:43
But strange is good, isn't it?
:24:46
Sometimes, yeah.
:24:48
Oh, that's what he was
saying on the teIevision.
:24:49
He was saying that
about new buiIdings.
:24:51
That they work best when they're
a combination of the new--
:24:53
no, not the new,
I mean the strange.
:24:55
Strange and famiIiar.
Strange and famiIiar.
:24:57
-Yeah.
-PhiIip Johnson.
:24:58
New buiIdings Iike
oId reIationships.
:25:02
That's very good.
Very good.
:25:04
Where you going?
:25:06
Kitchen. Gonna get
something sweet.
:25:08
Honey, there's a ceIIo
in the fridge.
:25:17
What did you say?
:25:18
I said,
''There's JeII-O in the fridge.''
:25:22
I consider it my duty
as a first step to ask you...
:25:26
to take some time...
:25:27
revisit your true feeIings
for each other...
:25:29
and consider the gravity
of this step...
:25:32
you're about to take.
:25:33
I think that's a good idea.
:25:35
Don't you?
:25:39
-OK, I'm finished.
-ExceIIent.
:25:44
Let's move on.
:25:45
AII right. Now...
:25:47
I have here a compIete Iist
of aII your possessions...
:25:49
reaI estate, securities,
East Hampton house...
:25:52
Mississippi house,
art objects, et cetera.
:25:55
AII of which
are in your name.