:27:00
Whoa. ls this a bad time, or...?
:27:03
No. l'm sorry.
:27:05
l thought you were
somebody else.
:27:08
That's good for me,
not for them.
:27:10
So, we're having a little event
at an NBA game
:27:13
kind of a meet-and-greet.
:27:15
lt's fun, you know
:27:15
if you're into pretending
you're not under a microscope.
:27:18
Do you like basketball, or...?
:27:22
l don't know.
:27:23
Oh. Uh...
:27:25
Sure. l'll come.
:27:29
l... Thank you.
:27:30
lt's exciting.
:27:32
That's... for you.
:27:35
See you.
:27:42
lnability or helplessness
:27:44
can have serious
psychological ramifications.
:27:48
Powerless people become
either hostile or passive.
:27:52
Neither is desirable.
:27:55
We need to feel
that we are heard
:27:57
and that justice
has been attempted
:28:00
when we feel we are
unfairly treated.
:28:03
Negotiation for resolution
of disputes
:28:07
when your actions
prevent another
:28:10
from achieving their goal...
:28:12
is apparently a conflict
of interest...
:28:16
lf we were to define goals...
:28:19
La-la-la
:28:24
La-la la-la-la
:28:34
Where is this?
:28:35
lt's not a theater.
:28:36
Embry was interested
in non-traditional space.
:28:40
This is under the theater.
:28:43
My final production--
:28:45
MiddIebrow For Lowbrows--
:28:46
''but look
:28:48
''we're under the stage,
like hell, itself.
:28:51
lsn't that brilliant?''
:28:53
lt's derivative.
:28:56
You people are derivative.
:28:59
You haven't produced
a real artist in over a decade