Adaptation.
prev.
play.
mark.
next.

:11:01
Yes, sir.
:11:03
The real fucking world.
:11:05
First of all, you write a screenplay
without conflict or crisis...

:11:08
...you'll bore your audience to tears.
:11:11
Secondly, nothing happens in the world?
:11:15
Are you out of your fucking mind?
:11:19
People are murdered every day.
:11:21
There's genocide, war, corruption.
:11:24
Every fucking day,
somewhere in the world...

:11:27
...somebody sacrifices his life
to save somebody else.

:11:29
Every fucking day, someone somewhere
takes a conscious decision...

:11:33
...to destroy someone else.
:11:35
People find love. People lose it.
:11:38
Christ, a child watches a mother
beaten to death on the steps of a church.

:11:42
Someone goes hungry.
:11:44
Somebody else betrays
his best friend for a woman.

:11:47
If you can't find that stuff in life...
:11:50
...then you, my friend,
don't know crap about life!

:11:53
And why the fuck are you wasting
my two precious hours with your movie?

:12:00
I don't have any use for it!
:12:02
I don't have any bloody use for it!
:12:07
Okay, thanks.
:12:12
- Thank you.
- You're welcome.

:12:13
No. Thank you.
:12:15
Thank you so much, Mr. McKee.
:12:18
This course makes you look at writing
in a whole different way.

:12:23
- Mr. McKee.
- Yes?

:12:25
I'm the guy you yelled at this morning.
:12:30
I need more.
:12:31
I'm the one who thought
things didn't happen in life.

:12:36
Right. Okay.
:12:37
- Nice to see you.
- I need to talk.

:12:41
Mr. McKee, my even
standing here is very scary.

:12:44
I don't meet people well.
:12:45
But what you said this morning
shook me to the bone.

:12:48
What you said was bigger than
my screenwriting choices.

:12:50
It was about my choices
as a human being. Please.

:12:56
Yeah.
:12:59
Well, you know...

prev.
next.