:36:02
Here you go: The killer's
a literature professor.
:36:05
He cuts off little chunks from his
victim's bodies until they die.
:36:09
He calls himself
"The Deconstructionist."
:36:13
- That's kind of good. I like that.
- See, I was kidding, Donald.
:36:18
Okay. Sorry.
:36:21
You got me.
:36:24
Do you mind if I use it, though?
:36:34
- It's really good.
- I tried to split the Cassie scene in half...
:36:38
...from the beginning to the end.
- I saw that. Why did you do that?
:36:41
Because I wanted there to be more
tension. And then you pick it up later...
:36:45
- But are you changing...?
- Keeps more tension.
:36:48
That way the audience
gets stuck early on.
:36:51
- You like it?
- I really like it.
:37:03
You look hot tonight, baby.
:37:05
Thanks, Donald.
That's swell of you to say.
:37:10
- Don't you think she's hot, bro?
- I'm heading home, Donald.
:37:13
Really? Come on.
:37:15
Hey, it's Amelia.
:37:18
Hey, Amelia!
:37:20
Hey, Donald.
Hey, Charlie.
:37:24
- Hey. Hi there.
- God, Amelia, we don't see you anymore.
:37:28
- It's good to see you.
- This is my girlfriend, Caroline.
:37:32
- She's a makeup artist for the movies.
- Hi.
:37:36
Hi.
:37:38
This is David, my friend.
:37:40
- Hi.
- Hey. Nice to meet you.
:37:42
- Amelia's talked a lot about you.
- Hi, I'm Donald.
:37:45
- Hey.
- Caroline.
:37:48
- Cool camera.
- So how are you?
:37:50
- You know me, a mess.
- Charlie...
:37:53
...it's really good to see you.
Is the work good?
:37:56
It's a disaster.
I don't know what I'm doing.
:37:58
But, anyway, it's my problem.
I don't want to bore you.