Adaptation
prev.
play.
mark.
next.

:36:01
Here you go: The killer's
a literature professor.

:36:04
He cuts off little chunks from his
victim's bodies until they die.

:36:08
He calls himself
''The Deconstructionist.''

:36:12
-That's kind of good. l like that.
-See, l was kidding, Donald.

:36:17
Okay. Sorry.
:36:20
You got me.
:36:24
Do you mind if l use it, though?
:36:33
-lt's really good.
-l tried to split the Cassie scene in half...

:36:37
-...from the beginning to the end.
-l saw that. Why did you do that?

:36:40
Because l wanted there to be more
tension. And then you pick it up later....

:36:44
-But are you changing...?
-Keeps more tension.

:36:47
That way the audience
gets stuck early on.

:36:51
-You like it?
-l really like it.

:37:02
You look hot tonight, baby.
:37:04
Thanks, Donald.
That's swell of you to say.

:37:09
-Don't you think she's hot, bro?
-l'm heading home, Donald.

:37:12
Really? Come on.
:37:14
Hey, it's Amelia.
:37:17
Hey, Amelia!
:37:19
Hey, Donald.
Hey, Charlie.

:37:23
-Hey. Hi there.
-God, Amelia, we don't see you anymore.

:37:27
-lt's good to see you.
-This is my girlfriend, Caroline.

:37:31
-She's a makeup artist for the movies.
-Hi.

:37:35
Hi.
:37:37
This is David, my friend.
:37:39
-Hi.
-Hey. Nice to meet you.

:37:41
-Amelia's talked a lot about you.
-Hi, l'm Donald.

:37:44
-Hey.
-Caroline.

:37:47
-Cool camera.
-So how are you?

:37:49
-You know me, a mess.
-Charlie...

:37:52
...it's really good to see you.
ls the work good?

:37:55
lt's a disaster.
l don't know what l'm doing.

:37:57
But, anyway, it's my problem.
l don't want to bore you.

:37:59
You have your own stuff, right? l mean,
we both have our own separate stuff.


prev.
next.