Adaptation
prev.
play.
mark.
next.

:49:08
You shouldn't have done that.
:49:12
Because it's extremely helpful.
Hey, Charles, l'm putting a song on.

:49:16
'' Happy Together.''
:49:17
Like when characters sing songs
in their pajamas and dance around.

:49:20
l thought it'd break the tension.
:49:22
At first l was nervous
about putting a song in a thriller...

:49:26
...but Bob says that Casablanca, one of
the greatest screenplays ever written...

:49:30
...did exactly that.
Mixed genres.

:49:33
l haven't slept in a week, Donald.
:49:36
-l need to go to bed.
-Okay.

:49:39
Good night.
:49:47
-Yeah?
-Hi.

:49:49
John, it's Susan again.
:49:51
Hey, Susie-Q.
:49:55
How's it going?
:49:57
Great. l'm training myself
on the lnternet.

:50:01
lt's fascinating.
l'm doing pornography.

:50:03
lt's amazing how much these suckers
will pay for photographs of chicks.

:50:07
lt doesn't matter if they're fat
or ugly or what.

:50:11
Well, that sounds good.
:50:13
lt's great, is what it is.
:50:15
Listen, John, l hate feeling like
l'm being a pain to you, but l....

:50:20
l still haven't seen a ghost.
:50:22
-Yeah?
-And I was hoping maybe you'd....

:50:27
Yeah.
:50:28
Yeah, l'll take you in.
:50:30
-Tomorrow.
-Really?

:50:33
Thank you so much.
:50:37
Oh, John.
:50:39
Damn it.
:50:52
There are too many ideas
and things and people.

:50:56
Too many directions to go.
:50:58
I was starting to believe the reason
it matters to care about something...


prev.
next.