Analyze That
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:57:00
-He's a good man.
-He's a fucking jerk-off.

:57:02
He's young. He's got a lot to learn.
:57:04
What is this, crime school?
This is a serious thing we're doing here.

:57:08
Check him out. Talk to Frankie Brush.
Talk to Jackie the Jew.

:57:11
He's worked jobs with them before.
They'll vouch for him.

:57:14
Paul, please. For me.
:57:16
He does what l tell him, stays out of the
way, and he keeps his fucking mouth shut.

:57:20
All right. Fine. Thanks, Paul.
l really appreciate this.

:57:24
Oh, God. Dear God.
:57:27
Look, sweetheart....
:57:29
Sweetheart, first of all...
:57:32
...we're not shooting the hooker scene
until tomorrow.

:57:35
And the hair, please, what is it?
Something from the cliché store?

:57:42
Raoul. This is a friend of mine.
:57:45
Patti. This is Patti Lo. This is Raoul.
:57:48
Patti Lo--?
:57:51
Patti LoPresti?
:57:53
l am so very, very sorry.
:57:58
How dare you not inform me
that Mrs. LoPresti is on the set today!

:58:01
You are fired! Get out!
:58:06
That is why l'm--
Please, enjoy your visit with us.

:58:10
And if there is anything at all
that l can do....

:58:13
Go fuck yourself.
:58:14
lmmediately. lmmediately.
:58:19
He's from the theater.
:58:36
-Should l wait here, Mr. Rigazzi?
-No, pull the car up your ass and wait there.

:58:56
Get over your hurt feelings, okay?
:58:58
Tell me. Was she angry?
Am l in danger?


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