:49:00
- You got the money?
- I almost got it.
:49:03
I'm still light 15 large.
But don't worry about it, I got it covered.
:49:08
All I gotta...
:49:09
All I gotta...
:49:11
Cut! Cut! Can you do something
about the goddamn smoke?
:49:15
Cut!
:49:17
Can you do something
about the damn smoke?
:49:22
This is the trouble
with shooting on location...
:49:25
...although it's worth it
for the authenticity.
:49:29
Well, it looks authentic.
:49:31
Hey, Tony!
:49:33
Tony.
:49:34
Anthony Bella, Nicky Caesar.
:49:37
- This is Paul Vitti.
- You don't have to tell me who he is.
:49:41
- It's a pleasure to meet you, mate.
- Hey, mate.
:49:44
I don't believe this. An English guy.
:49:46
- You ain't even Italian.
- Australian-Italian.
:49:49
- There's a lot of paisans down under.
- Down under what?
:50:00
- You like to laugh, don't you?
- It's a nervous defense mechanism.
:50:04
I don't have to do it if it bothers you.
So I'll just...
:50:07
So, Paul, are you gonna join us?
:50:09
I'm thinking I might.
I like the whole setup here.
:50:12
Sensational, mate. I can't wait to work
with you. I got a lot of questions for you.
:50:16
- All right, mate.
- All right.
:50:18
- Can we get this fucking shot?
- Yes, yes.
:50:21
Paul, thank you. And welcome.
:50:25
Welcome aboard.
:50:27
Couple of things.
:50:29
I don't know who makes these decisions...
:50:31
...but there are things that
I see that don't look right.
:50:34
Yes, I sensed this myself.
:50:38
Which elements strike you as wrong?
:50:40
Well, the people, mainly. I mean,
you got a boss who speaks Australian.
:50:44
- What the fuck is that about?
- Not my first choice.
:50:48
- And your background is what?
- Theater, mostly.
:50:51
That figures. I got some people
I could bring around...
:50:54
...that will add a certain authenticity
to the whole thing.
:50:57
I would be eternally grateful
to you if you could.