Analyze That
prev.
play.
mark.
next.

:57:00
- He's a good man.
- He's a fucking jerk-off.

:57:02
He's young. He's got a lot to learn.
:57:04
What is this, crime school?
This is a serious thing we're doing here.

:57:08
Check him out. Talk to Frankie Brush.
Talk to Jackie the Jew.

:57:11
He's worked jobs with them before.
They'll vouch for him.

:57:14
Paul, please. For me.
:57:16
He does what I tell him, stays out of the
way, and he keeps his fucking mouth shut.

:57:20
All right. Fine. Thanks, Paul.
I really appreciate this.

:57:24
Oh, God. Dear God.
:57:27
Look, sweetheart...
:57:29
Sweetheart, first of all...
:57:32
...we're not shooting the hooker scene
until tomorrow.

:57:35
And the hair, please, what is it?
Something from the cliche store?

:57:42
Raoul. This is a friend of mine.
:57:45
Patti. This is Patti Lo. This is Raoul.
:57:48
Patti Lo...?
:57:51
Patti LoPresti?
:57:53
I am so very, very sorry.
:57:58
How dare you not inform me
that Mrs. LoPresti is on the set today!

:58:01
You are fired! Get out!
:58:06
That is why I'm...
Please, enjoy your visit with us.

:58:10
And if there is anything at all
that I can do...

:58:13
Go fuck yourself.
:58:14
Immediately. Immediately.
:58:19
He's from the theater.
:58:36
- Should I wait here, Mr. Rigazzi?
- No, pull the car up your ass and wait there.

:58:56
Get over your hurt feelings, okay?
:58:58
Tell me. Was she angry?
Am I in danger?


prev.
next.