1:24:00
The Madonna and child,
on the island of Aghtamar,
1:24:03
where it all began.
1:24:06
I was there
when they shot that scene.
1:24:11
It was the same day
she attacked the painting.
1:24:14
The painting based on this.
1:24:17
I left for Turkey a week later.
1:24:19
- Does she know
you went to the island?
1:24:22
- Who?
- Your mother.
1:24:24
- No. No, she doesn't.
1:24:27
- Have you spoken to her?
1:24:29
- No.
1:24:36
- People lose touch.
1:24:47
- There's something
l've been meaning to ask you.
1:24:49
- Yeah?
1:24:52
- Aren't there dogs
used forthis sort of thing?
1:24:54
- What sort of thing?
1:24:56
- Well, if you think
there are drugs in these cans...
1:24:58
- Yeah, we have dogs forthat.
1:25:05
- So, uh...
why don't you use one?
1:25:07
- What?
- A dog.
1:25:10
- A dog would take away
what I like most about this job.
1:25:16
- What's that?
- The opportunity to...
1:25:18
better understand
how the mind works.
1:25:22
A dog would come in and bark.
1:25:25
And that bark would mean
only one thing:
1:25:27
That there were drugs
in these cans.
1:25:28
Ruff! You're lying.
I caught you. You're a liar.
1:25:35
That's what a dog does.
1:25:37
- Right.
1:25:39
- L'm not saying that
what a dog does isn't important.
1:25:42
But there are...
1:25:44
other issues involved.
Aren't there?
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Things a dog doesn't have
the capacity to consider.
1:25:53
A dog...
1:25:55
wouldn't know
he's being retired,
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that this is his last day,