:48:01
And we thought,
you know, maybe this--
:48:04
sort of my understanding
of Hollywood and everything...
:48:08
and his ability
to actually write...
:48:10
would be a good combination...
:48:12
and so we came up
with this idea...
:48:14
for what is now
Rendezvous, the movie.
:48:16
It's almost like a spy film
in the intrigue...
:48:20
of this romantic encounter...
:48:23
between this guy
that Calvin plays--
:48:27
I'm sorry, there's a...
:48:31
Uh, and this woman.
:48:33
And anyway,
I think it's a neat story.
:48:35
And I think it's a great cast.
:48:39
Um, uh, but, uh...
:48:44
Yeah. I'm sorry,
I have some--it's weird.
:48:47
I'm really happy about
the project. I really am.
:48:50
I got--you know, there's--
I've got issues with some of--
:48:53
Actually, Calvin. Calvin is,
I think, I don 't know--
:48:56
You know, other people...
:48:57
get more excited about him
than I do.
:49:00
It's not to say I'm not happy
having him on the movie.
:49:04
I think that's great, and
I'm sure he's very good in it.
:49:06
I just don't get what
the big thing is with Calvin.
:49:12
I think--you know, you picture
a role in a certain way...
:49:16
And sometimes it's--
I'm not always right, either.
:49:19
I know, you know, certainly
my wife thinks he's great.
:49:29
FRANCESCA:
I'm starving to death.
:49:31
-Well, I've got it right here,
-I might actually faint,
:49:33
OK, tuna, No celery,
:49:35
No celery and no,
:49:37
-Onion,
-Right,
:49:39
Uh, so listen...
:49:43
you know that thing
that we were talking about?
:49:45
Um, I can't keep--
:49:49
OK, I mean--
:49:50
-Come on, come on,
:49:50
-Come on, come on,
:49:53
I'm uncomfortable dealing
with this aspect of your life.
:49:57
I don't want to talk to them,
:49:59
Well, I don't want
to talk to them, either.