:26:02
and learn to walk like a man.
:26:04
What's it gonna be?
:26:08
All right, let's go.
:26:10
Ahh, chat room romance?
:26:13
He's just a friend.
:26:15
He's probably fifty and bald,
with a bad toupee.
:26:17
-Jen.
-Probably collects human skin.
:26:22
Give me a break, Jen.
:26:24
OK, everybody listen up.
:26:25
I'd like to start off
by saying...
:26:27
the home that
you will be entering tonight...
:26:29
has been rigged up
with several cameras...
:26:30
but for the most part...
:26:32
the audience will see
only what you see.
:26:36
See these cameras right here?
:26:37
I kinda like these cameras.
:26:40
They can pretty much be
clipped on to anything.
:26:43
A hat, shirt collar,
your coat collar.
:26:48
The viewers
can pretty much control...
:26:50
what they want to watch...
:26:51
switch around
from camera to camera...
:26:53
depending on what seems to be
the most intriguing to them.
:26:56
So if you guys want
to be stars for the night...
:26:59
I suggest you do something
that is very interesting...
:27:02
so that it's worth the while
of the viewers...
:27:04
to want to keep
their cameras on you.
:27:07
Cameras are so phallic.
:27:10
Is that good or bad?
:27:12
Depends who's watching.
:27:32
Hey, Orson Welles,
pick a placement and move on.
:27:38
Look, low angles--scary.
:27:42
High angles--scary.
:27:45
Medium angles--boring.
:27:49
I bet you learned that
shooting...
:27:50
all those weddings
and bar mitzvahs.
:27:51
Hey, hey!
:27:53
I went to Long Beach State.
Same as Spielberg.
:27:57
NORA: Charley,
we're on a schedule here.
:27:59
Tell Max to rig a camera
in the sister's room.