:48:00
- I found out pretty much
after that boat had sailed.
- And you didn't tell me.
:48:04
I knew you'd be apoplectic
and Val couldn't afford
to lose another job...
:48:07
and under
those circumstances, I...
:48:11
You cared more about him
than you did about Galaxie, huh?
:48:16
I truly believed
he could pull it off.
:48:19
And the two of you were
seen kissing passionately
on several occasions...
:48:22
- around the set.
- We were faking it.
:48:25
We told his roommate
that we had gotten back together...
:48:27
so she wouldn't move
back in with him...
:48:29
because she'd figure out
that he was blind...
:48:31
Did you fall back in love
with your ex-husband?
:48:33
No.
:48:36
You can tell me the truth
'cause it really doesn't
much matter now.
:48:43
I think I never
stopped loving him.
:48:49
You knowthat when this story hits,
he'll never be employable again.
:48:54
Well, you don't
need the story.
:48:56
I think the reviews
pretty much took care of that.
:49:02
I wouldn't spend 30 seconds
on what those critics said.
:49:05
They represent
the lowest level of the culture.
:49:07
No, this time they're right.
The movie is incoherent.
:49:11
The performances
are all over the place...
:49:13
and the camera work
is unfocused.
:49:15
Worse has been
said about my work.
I just eat another rat.
:49:19
- Oh,Jesus. I hope Ellie is okay.
- I always liked Ellie.
:49:23
Didn't I read that she was
marrying that quintessential
Neanderthal, Yeager?
:49:27
Talk about blindness.
:49:29
She was right under
my nose for so long,
and I didn't appreciate her.
:49:32
- [Doorbell Rings]
- Blindness as metaphor.
:49:35
That's great.
:49:41
Guess what?
:49:43
- Guess what? What?
- The movie. Your movie.
:49:45
The French have seen
your movie in paris...
:49:48
and they say it's the greatest
American film in 50 years.
:49:51
- You're kidding.
- No. You're being hailed
as a true artist.
:49:55
A great genius.
And France sets the tone
for the rest of Europe, right?
:49:59
Right? And I have offers
for you already to make
a movie in paris.