:06:01
No. Hey.
:06:03
Yeah.
:06:05
Leave your phone number
:06:07
and I'll call you
when you calm down a bit.
:06:10
I'm engaged.
:06:13
You can forget the phone number.
:06:15
Was that the guy in the Ferrari?
:06:19
What Ferrari?
:06:22
I'll walk you out.
:06:25
Listen, she does this.
:06:27
Once I found myself in Reykjavik
:06:29
on Air Force One
surrounded by Secret Service.
:06:32
Uh-huh.
:06:35
Bye.
:06:42
I can't believe you never
told me that story before.
:06:46
I swore from then on
to wake up with people
:06:48
who have as close to one
personality as possible.
:06:52
At least that's one problem
Rebecca doesn't have.
:06:55
Oh. Oh.
:06:56
Let's get out of here, huh?
:06:57
I'm starving.
:06:59
Me, too.
:07:00
Where's my phone?
:07:01
It's Sunday, Dag.
:07:02
Yeah, but I'm waiting to hear
on those Pepsi spots.
:07:04
Yeah, but don't turn it on.
It's rude.
:07:06
What Pepsi?
:07:07
Oh, it's this great campaign
:07:08
that shoots in Aruba
that you're too old for.
:07:10
Oh, listen,
go get the elevator, okay?
:07:12
I can be younger.
:07:15
Why did you do that?
:07:17
What?
:07:18
Did you have
to bring up your Sybil story?
:07:20
-Why not?
-Because
:07:22
his girlfriend just got out
of a psychiatric ward.
:07:24
That's why not.
:07:25
Oh, come on, Halley.
:07:27
Rebecca is crazy.
:07:28
She's not schizo.
:07:29
Just try to be
a little more sensitive.
:07:31
Hey, I'm sensitive.
:07:32
Yeah. Well...
:07:33
just let Peter bring it up
if he wants to, okay?
:07:35
You know what?
:07:36
He's probably dying
to talk about it.
:07:42
What?
:07:45
Pete is... waiting in...
the elevator.
:07:48
I don't care.
:07:54
I'm in love with you.
:07:55
You know that, right?
:07:58
Yeah.