:52:03
Oysters! I must be dreaming.
:52:06
Never too old!
:52:13
A promise is a promise.
Abyssinian. A good pound.
:52:18
Thanks so much.
:52:20
Nothing like pre-war coffee.
:52:24
For you...
:52:27
They're autographed.
:52:32
Why do you always do period films?
For the gowns?
:52:36
I don't write my roles. Fortunately.
:52:40
People are scrambling for fabric.
:52:42
True, fabric is hard to come by.
:52:45
Designers don't have that problem.
They just have to pay.
:52:49
Money buys everything.
:52:51
A period film's a good medium
for putting ideas across.
:52:55
Nowadays, any critical allusion to
the army, the church, the family...
:53:00
The police.
:53:01
The police... It's censored!
:53:05
In suit and tie, you're a public threat.
:53:07
But say it in a period costume...
:53:10
Other times, other ways.
:53:13
Cheers!
:53:14
To us!
:53:15
Mouton-Rothschild 1929.
It's not dishwater!
:53:17
You make a lot?
:53:19
Goodness, yes.
:53:21
How much?
:53:24
Excuse me?
:53:28
Sorry. I'm nosey.
:53:29
It's no secret.
:53:31
In a play, I get 4,000 francs
per performance.
:53:35
Really?
:53:37
But in a movie, I make up for it.
I can earn 30,000.
:53:41
That's more like it.
:53:43
How about you?
:53:45
It's pretty unpredictable with us.
There are ups and downs.
:53:49
But it takes stamina.
:53:53
Do you know Mr. Giraudoux?
Jean Giraudoux?
:53:57
Sure, I know him. By name.
:53:59
I mean in person.