:07:00
Max.
:07:02
Why are you wasting this divine
tipple on these swine?
:07:04
lnsecurity, I suppose.
:07:06
lnsecurity is the mother
of an overdraft.
:07:08
- Oo-ooh.
- George Grosz.
:07:10
l hear the sound
of new money.
:07:12
l'm for sale.
:07:13
l might pay for
this evening yet.
:07:15
Come.
:07:19
Take care of Grosz for me.
:07:21
George.
:07:23
George!
A moment.
:07:24
- Mr. Epp.
- Oh.
:07:26
Mrs. Epp, I think Max would like
a quick word with you.
:07:30
George, do you want a drink?.
:07:31
Hello, hello.
:07:34
- So nice to see you.
- Hello.
:07:35
l have a Monet downstairs.
:07:38
- Monet? Why?
- Yes.
:07:39
l thought this might be
a tad too modern for you.
:07:41
Are you questioning
my modernity?
:07:43
- God, no, no.
- I hate those waterlilies,
:07:45
it always reminds me
of a gardening catalogue.
:07:48
Maybe you'd like to see it?
Are you sure?
:07:50
- l'll go down and get it.
- l'll take the Ernst.
:07:53
And who is this funny fellow
who looks like a butcher?.
:07:55
- Grosz, George Grosz.
- l'll take two of him.
:07:59
Excellent.
:08:07
Didn't know you had a Monet.
:08:12
l don't.
:08:22
How are you?
:08:24
Don't spiel me.
Where's your wife?
:08:27
Waiting for her entrance,
l suppose.
:08:29
- And where's that leave me?
- Talented, with options.
:08:33
l'm tired of options.
:08:35
You're too young
to be tired of options.
:08:46
l'd really love
to see you again.
:08:49
Tell me, Max,
:08:52
where's the future in it?
:08:54
The future?
:08:56
No...
l've seen the future.
:08:59
Believe me,
it came straight at us.