:32:00
I still haven't received
Simone's script notes.
:32:04
There aren't any.
:32:06
If the filmmakers
are happy, she's happy.
:32:09
She considers
herself...
:32:11
you know,
an instrument.
:32:13
So she's really going
to do all this nudity?
:32:15
It's on the page.
:32:17
We have to do something
about this budget.
:32:18
It's completely
unrealistic.
:32:21
You allowed nothing
for limousine service.
:32:23
- She drives herself.
- Uh-huh.
:32:25
- Hair and makeup?
- Does her own.
:32:28
- In her theatre training.
- Oh, she was in the theatre?
:32:31
- Where?
- I'll send you her resume.
:32:33
Okay, great. Thanks.
:32:35
At least, Viktor, contingency
for wardrobe. Anybody can go up a size.
:32:40
I guarantee she will not gain
an ounce. She is so disciplined.
:32:43
We've gotta do something
about this-- stuntwoman.
:32:47
- What about it?
- Well, there isn't one.
:32:49
She doesn't need one.
Does all her own stunts.
:32:51
- Even the fall from the plane?
- Even the fall from the plane.
:32:54
Oh. We'll shoot it
on the last day.
:32:57
Listen, Viktor.
:32:59
I want to talk to you now,
not as Elaine, studio head,
:33:02
but as Elaine, ex-wife--
hey, second ex-wife.
:33:07
Seriously-- you got
lucky this last time,
:33:10
but you need
to be careful.
:33:13
We both know you wouldn't be making
this overblown art film
:33:15
if you hadn't convinced
Simone to be in it.
:33:19
Elaine...
:33:22
talking to you now,
not as Viktor, director,
:33:24
but as Viktor,
your first former husband,
:33:28
what happened
to you? Hmm?
:33:32
Experience, Viktor.
That's what happened to me.
:33:36
Yeah, I've seen this
a hundred times.
:33:38
- Really?
- Yeah.
:33:41
These young stars
destroying
:33:43
the very people
who discovered them.
:33:45
I'm worried about you,
that's all.
:33:47
This woman, she controls
your destiny.
:33:50
She doesn't control
my destiny.
:33:51
There's something about her
I don't trust.
:33:59
Hi, Jane.