:48:03
a lot of yours...
and none of hers.
:48:07
No one is that perfect,
that pure.
:48:10
You know, I had something
on Mother Teresa once--
:48:13
and then she died and it just
wasn't worth it anymore.
:48:16
I know how to flush out
this Simone woman--
:48:19
a 'tell-all' story
from her childhood.
:48:24
You have one?
:48:27
I will when you're
finished writing it.
:48:51
Please don't
make me do this.
:48:52
Guard, open this door
right now.
:48:55
- Mr Taransky gave me instructions--
- No!
:48:57
- What are you doing?
- Mr Taransky!
:48:59
- Why did you do this?
- We have to talk to her!
:49:02
- We know she's in there.
- Okay. What is this about?
:49:04
We've got the tracking numbers
for 'Eternity Forever.'
:49:07
- They're in the toilet.
- She has to get out and sell the film.
:49:10
What do you want her to do,
go door-to-door?
:49:12
Even Garbo would be on the talk-show
circuit if she were alive!
:49:14
It is precisely because
she doesn't crave the limelight
:49:17
- that people love her!
- This is bullshit!
:49:19
She is about the work
and only the work!
:49:21
This is overshadowing
the work.
:49:23
- If you can't handle her, I will.
- It's not a good time.
:49:26
She's emotional.
Today, her mother dies.
:49:29
Scene 42 of 'Good for Nothing.'
This is not a good time.
:49:32
- It never is. Step aside!
- We're going in!
:49:35
- This is ridiculous!
- No! No!
:49:38
- What are you doing?
- Simone!
:49:43
I trusted you.
:49:48
- Simone?
- You can come out, it's Elaine!
:49:50
We just want
to have a meeting.
:49:52
We can talk--
girl-to-girl. Just us.
:49:53
- Where is she?
- She's gone.
:49:55
- Where are the sets?
- God, that is so like her.
:49:57
Where are the cameras?