:07:03
# She #
:07:06
You turn the corner,
then hidden away...
:07:08
in this small forgotten
backstreet...
:07:10
is this old, old house--
:07:12
DAPHNE: How's your mom. Oscar?
She still in France?
:07:15
Yeah.
she went back a while ago.
:07:16
When's the last time
you saw her?
:07:18
I went back last summer.
:07:21
I wish I had
an exotic French mother.
:07:26
There's nothing exotic...
:07:27
about mothers who live
on the Upper East side.
:07:30
Well, they can be exotic
in their own way.
:07:31
You walk in, and it's a home,
a timeless home. You feel it.
:07:36
It's hard to put it
into words, but--
:07:38
My mom brings me back
the stupidest things.
:07:41
That's not what I'm saying.
:07:42
There was
this lovely fresco that--
:07:43
-It's very intimate.
-Completely out of context.
:07:45
...too small or whatever.
:07:47
There was some--
:07:49
That's cool.
You've got. Iike...
:07:51
that look. that faraway look.
That's cool.
:07:54
I've-been-studying
for-four-days thing.
:08:09
It sounded beautiful.
:08:12
-What's that?
-The timeless home.
:08:15
Ohh. Thanks. Ha ha.
:08:18
I get a little caught up
in the whole...I don't know.
:08:22
No, no. That's good.
:08:23
It's good to get caught up...
:08:25
in the feeling of something,
the aura.
:08:27
I mean, if everything
could be reduced...
:08:29
to verbalizable facts...
:08:31
we wouldn't have any need
for music, would we?
:08:36
You might have a point there.
:08:40
Of course I have a point.
:08:41
The timeless home,
that's like...
:08:44
the title of some great
lost Puccini operetta.
:08:48
You're sweet, you know that?
:08:53
So, how are things
at--at Chauncey?
:08:55
Not bad.
:08:57
Any girls there?