:31:01
So how's Iife at... Le Fonda?
:31:07
WeII...
:31:10
It's not what I expected.
:31:12
I thought I'd be working on a cutting-edge
project with the greatest brains on the pIanet,
:31:17
but I've been teamed up with these bunch of...
:31:22
I don't know. This may be a huge mistake.
:31:26
WeII, I think you're very brave.
:31:28
ReaIIy?
:31:31
Do go on.
:31:33
WeII, you gave up a Iot
to pursue an inteIIectuaI ideaI.
:31:37
I don't know a Iot of peopIe
who wouId have done that.
:31:39
So big-ups to you.
:31:43
- ReaIIy? Big-ups?
- Big-ups.
:31:45
WeII, I've never gotten big-ups.
AII right! Big-ups.
:31:55
So...
:31:58
Is this the part of the movie where
we break the sexuaI tension... with a kiss?
:32:07
No.
:32:10
This is where I say ''WeIcome to the house.
It's time for you to go.''
:32:16
No, that's a different movie.
:32:20
Let's just keep it simpIe for now.
:32:23
For now.
:32:32
How's it goin', Caspar?
:32:40
Uh... good.
:32:42
I'd say we're, Iike, a nine-iron from the
dance fIoor, then a two-putt to the cup.
:32:48
Of course, you can't rush genius.
:32:51
Yeah, that's true. Except here, of course.
You've got about three weeks to deIiver.
:32:56
Three weeks?!
:32:59
- But nobody said anything about a deadIine.
- We aII have deadIines, Caspar.