:14:03
What about Yeats?
:14:05
The celebration
of the human imagination.
:14:11
- The magician.
- Melancholy.
:14:15
It's all melancholy.
:14:19
"The room swinging
with emptiness
:14:23
like an unswung bell."
Valentin Iremonger.
:14:28
I think
the really great ones
:14:30
use words in such a way
you can never take them back.
:14:33
Yeah, they do.
:14:37
"To separate from life...
:14:41
from tantalizing mysteries
and salt spray...
:14:47
from the grave
gypsy eyes...
:14:52
and the sacred, poignant flesh
of long-limbed dancers,
:14:58
unsullied,
but not for long."
:15:01
She's memorized you,
Thomas.
:15:03
I stole "poignant flesh"
:15:06
from Rich.
:15:08
- I don't remember saying that.
- You were drunk.
:15:10
I don't think I'd ever
use that word.
:15:12
That's so like you.
:15:14
You probably read more
than anybody I've ever met.
:15:17
But you always pretend
you'd rather be drinking beer
:15:19
- At a Red Sox game.
- Depends on who's pitching.
:15:25
How did Wagner know
the men would be gone?
:15:27
Sorry. Still thinking
about the murders.
:15:30
But Louis Wagner...
the man they hanged...
:15:32
how did he know
the women would be alone?
:15:34
He's got a 12-mile row
back to shore,
:15:36
why take time
to drink tea?
:15:38
And why cover one woman's face
and not the other's?
:15:42
Axe murderers don't tend to have
the most razor- sharp intellects.
:15:47
Maybe her eyes were open.
It was the sight of them,
:15:49
the accusation.
:15:51
He couldn't stand to have her
looking at him.
:15:53
So it was an act
of passion.
:15:56
But using an axe
requires intimacy.