:33:03
So, in other words...
:33:05
you don't completely trust
Orlando or Miguel.
:33:07
Orlando, yes. Miguel...it's OK.
:33:11
Let's leave it at that.
:33:15
OK, so in other words...
:33:16
this would keep anybody
from stopping this...
:33:18
until the last
possible moment...
:33:21
to find out
this necessary information.
:33:22
Is that right?
:33:25
Of course.
:33:26
OK. lnteresting, interesting.
:33:31
OK, there's nothing else,
I guess.
:33:33
One other thing.
:33:36
This is OK for now,
but I may need...
:33:38
something more powerful,
like a .222 with a scope, OK?
:33:40
But we'll talk about that
later, all right?
:33:42
OK. All right.
:33:48
Yeah.
:33:51
One moment, sir.
:34:02
Let's stop here for a minute.
:34:04
What's that they're supposed
to be doing in there?
:34:06
What is that?
:34:07
They are practicing tango.
:34:11
Now you step in. Turn...
:34:12
I've danced all my life.
:34:14
I never saw any tango
like that before.
:34:16
lnteresting.
You got boxing one floor...
:34:20
tango underneath.
lnteresting set up.
:34:22
So, this is the real tango, eh?
:34:24
-Yeah.
-Yeah.
:34:27
lnteresting.
I like it, I like it.
:34:31
Let's go. I like it.
:34:41
The arm! Watch the arm!
:34:46
Well done, boy.
:34:48
Lovely!