Assassination Tango
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:35:06
Where have you been, senor?
I've been worried about you.

:35:08
Well, I've been out, you know.
:35:12
Here and there.
:35:13
You were supposed
to meet me at six thirtyl.

:35:15
It's ten of. Why so early?
:35:16
I'm sorry.
I guess I got a little excited.

:35:20
Well, don't be.
It doesn't pay to be excited.

:35:22
Not even a little bit,
so, you know, relax.

:35:27
I'll be right back.
:35:29
Don't go away.
:35:33
Here, sir.
Guard it with your life, OK?

:35:36
-It's yours, right?
-Yes, of course.

:35:39
OK. Ciao.
:35:44
So, there's the house,
and that's the courtylard...

:35:48
where always he has his meal
in the evenings...

:35:51
when the weather is good, see?
:35:53
What if the weather's not
very good? Then what do we do?

:35:55
I don't know.
:35:58
OK. You see,
the first mistake we made...

:36:00
is to come up here
in the daylight.

:36:02
It's dusk.
:36:03
Yeah, well, you know...
:36:05
I like to work from rooftops.
That's my stylle.

:36:08
I make an overall blueprint in
my mind, you know, and then...

:36:12
It's really the only place
to be alone in a crowded cityl.

:36:14
I like it very much.
:36:16
Let me show you something.
:36:18
Any door, any window...
:36:21
or any ledge,
any opening or whatever...

:36:22
where he shows any part
of his body or his head...

:36:25
I mean, I got him.
He's out of here.

:36:26
But I can't do it
with a pea shooter.

:36:27
I'm going to need a .222
with a scope, OK?

:36:30
A .222 with a scope.
Tell that to Manas, OK?

:36:32
-.222 with a scope?
-Absolutely.

:36:34
Otherwise,
I might as well go home.

:36:37
Here you go, girl.
You like those?

:36:41
You better. You better.

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