1:16:00
[ Sighs ]
1:16:02
[ Beeps ]
1:16:03
Metropolitan Museum of Art.
How may I help you?
1:16:06
I know who set you up.
1:16:07
What?! Who?
1:16:12
[ Tires screech ]
1:16:14
Get in.
1:16:19
So, what's up?
1:16:21
The guy points a gun to my head
1:16:22
and tells me
not to reopen the case.
1:16:24
I'm thinking,
"Why is he doing this?"
1:16:25
And then it dawns on me --
it's because he was involved.
1:16:28
God damn him.
1:16:30
I can't believe
Widow did this to me.
1:16:33
Where do you think he is?
1:16:34
I don't know.
1:16:38
Probably downtown
at this club he hang out at
1:16:40
called the Down Low.
1:16:42
Got to get a confession.
1:16:43
You can't go there.
1:16:46
Eh, man, I'm serious.
1:16:48
A white man at the Down Low
1:16:50
is either a cop, a corpse,
or a crackhead.
1:16:53
You can't even talk 'hood.
1:16:55
I'll figure out something.
1:16:56
Oh, and Howie told me
to tell you
1:16:58
that "The cool points
are out the window,
1:17:01
and you got him
all twisted up in the game."
1:17:06
Really?
1:17:08
That's the nicest thing
anybody's ever said to me.
1:17:14
I'm gonna drop you off here
1:17:15
because I got to get to the
office for a conference call.
1:17:18
So, I'll see you
in a little bit.
1:17:20
All right. Okay, cool.
1:17:25
[ Cellphone speed-dials ]
1:17:28
Yeah, freak boy,
I need a ride.
1:17:31
Can you come now?
1:17:35
Damn.
A straight, cold pimp.
1:17:38
Looks like Gendler
beat us to her.
1:17:43
I can assure you, Mrs. Arness,
1:17:45
Peter Sanderson
is no longer affiliated
1:17:48
with Tobias, Kline, and Barnes.
1:17:50
Good.
1:17:52
You have great ankles.
1:17:53
What?!
1:17:55
Were you a dancer?
1:17:59
Yeah -- well, yes.
I was.