Ghosts of the Abyss
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:05:01
I'm gonna explore these cabins.
:05:02
There is no script. We don't
know what we're gonna see.

:05:05
We don't know
what we're gonna encounter.

:05:08
The crucial thing
about deep-sea photography

:05:11
is lighting.
:05:13
Just come up over and light
all this business down here.

:05:16
- You see what I mean?
- Yeah.

:05:18
So we had a sister ship on
the expedition called the "EAS."

:05:23
The "EAS" had
this giant lighting chandelier

:05:26
called Medusa.
:05:28
The theory was to lower the
chandelier down over the wreck

:05:32
and do this overlighting,
almost like moonlight.

:05:36
There was no manual
for any of this.

:05:38
Nobody had ever combined
this many elements

:05:40
into a single-dive operation
before at these depths.

:05:45
We were pushing the limits
of technology,

:05:48
which was a little eerie
:05:50
given the fate of the ship
we had come to explore.

:05:58
This is where it all happened.
:06:01
It could be any other part
of the ocean,

:06:03
but there's something special
about knowing

:06:05
this is the spot
and the wreck's down there.

:06:07
Why this shipwreck?
Why not the "Lusitania"?

:06:11
Why not the "Moro Castle"?
Why not the "Atlantic"?

:06:14
They're all good.
:06:15
They're all good,
but why is this one?

:06:17
Look at the stuff
that comes with this.

:06:18
You've got the biggest ship
on its maiden voyage,

:06:21
the president of the company
onboard that owns it,

:06:23
the builder onboard.
:06:25
And it hits an iceberg,
and it sinks so slowly

:06:28
that you've got all these hours
for drama to be acted out.

:06:31
You don't get that
with other shipwrecks.

:06:33
It's really a Greek tragedy
for real.

:06:36
She was so cheated.
She was so beautiful.

:06:39
So much energy went into
building this creation.

:06:42
You know, the epitome
of human engineering

:06:45
and architecture, maritime
architecture at that point.

:06:48
And to have it taken away,
stolen,

:06:50
just four days out of England.
:06:53
And that's part, I guess,
of the odd attraction to it.

:06:58
The fact that you could never
have such a thing happen


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