:23:04
That map of Fiji was right off a board.
:23:07
Denise Koyama drew
that little Fiji girl up there.
:23:11
Backgrounds had a blast painting that stuff.
:23:14
It was the easiest assignment to give
a layout artist, "Here, draw pretty girls."
:23:20
But we had a lot of fun.
:23:22
Seth did such an extraordinary job
of designing the Chimera...
:23:26
and we had such a good time.
:23:27
It kind of composed itself.
:23:29
Anywhere you placed a camera
on the Chimera...
:23:32
you got such a great composition.
:23:33
And that sequence just shows off
the best shots we could find.
:23:38
Mick De Falco did the layout on that.
:23:41
Okay, nobody pay attention
that the sun is out now.
:23:45
Yeah, the joy of filmmaking,
you can ellipse time.
:23:49
No, this can't be real.
:23:52
It would be far too...
:23:57
This is more like it.
:23:59
Stolen from Venezia.
:24:02
From Pompeii.
:24:04
- And from a brothel in Syracuse.
- Good guess.
:24:09
What do you think you're doing here?
:24:10
I'm here to make sure
you get the Book of Peace...
:24:13
or bring back your dead body if you fail.
:24:15
- Really? And how will you pull that off?
- By whatever means necessary.
:24:19
- Did you bring a crew?
- No.
:24:21
- You know how to get to Tartarus?
- No.
:24:24
- Can you navigate on your own?
- Yes!
:24:25
Good! Then I'll dump your butt
in a rowboat...
:24:28
and you can paddle
all the way back to Syracuse.
:24:30
'Cause we're going to Fiji.
:24:35
James Baxter did
most of the Sinbad on this sequence.
:24:41
Yeah, it's a lovely bit of animation
on Sinbad...
:24:43
because he's sort of hamming it up.
:24:46
And James caught so much of Sinbad's
sort of double purpose here.
:24:49
He's obviously flustered that the girl
of his dreams is here in his cabin...
:24:53
and yet he's playing this power game
at the same time. You can see both levels.
:24:57
I think the layout of this scene
is phenomenal...