:28:01
You're just using it in a mysterious way...
:28:03
just to get a glimpse of these things...
:28:05
without really knowing
what they're made of.
:28:07
- And there's Marina with the final hairstyle.
- That's right.
:28:11
I don't know how many costumes she had
throughout the movie.
:28:14
We gave her a major haircut.
She had long black hair...
:28:17
and it was one of the first things
we decided to do...
:28:20
to give her some real strength.
:28:21
She looked a little traditional,
like we'd seen this character before...
:28:25
from other animated pictures.
:28:27
Once we gave her
this sort of smart style and short haircut...
:28:30
she just gained a little weight in it.
:28:33
- She grew up.
- Yeah, she became an adult.
:28:36
She grew up a little bit through the movie.
From the beginning of the concept.
:28:41
That's funny, when you kind of changed...
:28:43
It's like having an uncle with a beard
and you're a young kid.
:28:46
Suddenly he cuts his beard, and then,
you need to get used to it.
:28:51
David James did a lot of the design
here of the dragon's teeth.
:29:14
Steady as she goes.
:29:18
I never get tired of watching this
and remembering the history of every shot.
:29:22
It was a huge sequence.
:29:24
I think most of the department worked on it
at some point.
:29:27
Lorenzo and Nol doing the majority of it.
:29:31
But it was such a fun sequence.
:29:32
It was longer.
We cut two, three minutes out of it.
:29:35
Twice as long at one point.
:29:37
And then we threw in women
made out of water.
:29:41
But it wasn't complicated enough.
:29:43
No, how much development time
did we go through with those?
:29:48
The result was amazing,
but how many iterations?
:29:51
We did 10 or 20 iterations.
:29:53
What is that sound?
:29:55
Harry wrote the score for this almost
a year before the picture was finished...
:29:59
so that we could be influenced...