Sinbad: Legend of the Seven Seas
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:42:01
She was kind of challenging to draw
as all the heroines...

:42:04
because she's a beautiful woman...
:42:06
and you don't have a lot of...
She's not caricatured...

:42:09
so you have to be very subtle.
:42:11
Pickles and eggs!
:42:17
Well, you get the idea.
:42:18
And then,
suddenly there was a fourth blade.

:42:21
It was Proteus.
:42:22
Again, this set we're about to go into
and freeze up...

:42:25
beautiful hints of the Granite Gates
that we're seeing.

:42:28
A little bit of Stonehenge...
:42:31
a little bit of the Tower of Babylon here,
it's just gigantic in scale.

:42:34
Getting the scale throughout the picture...
:42:36
was the job of the designers
and cinematography.

:42:39
Sam Michlap originally conceived
this set with...

:42:43
We first had snow on it,
then we had to peel the snow off...

:42:46
because we wanted Eris
to throw things into motion.

:42:51
But in setting up for an adventure to come...
:42:55
the tower was actually
a fun design piece to work on.

:43:00
Was it Bibo who thought Eris
should be taking a bath here?

:43:03
Bibo Bergeron thought Eris should be
a lady of leisure.

:43:05
The goddess of chaos enjoying
a nice, calm, warm soak.

:43:09
In a galaxy-sized bathtub.
We keep the celestial theme with her going.

:43:15
A little hint of the roc there, of course.
:43:17
She's taken another constellation
and summoned it.

:43:22
That's great.
:43:23
A lot of those Spike shots
were late additions.

:43:25
That one came from a pass
where we'd looked at opportunities...

:43:28
to have some more fun in the picture,
add a few jokes...

:43:31
and that little shot of freezing drool
was a late addition.

:43:38
It looks like a simple effect,
but adding snow is a nightmare.

:43:42
It's got to be consistent
across all the shots...

:43:44
it's got to cut from one to another.
:43:46
We actually saw most
of the sequence without snow...

:43:48
and added it afterwards
to keep it consistent.

:43:50
All at once to do it chronologically,
so that it all matched in.

:43:56
Chuck Campbell, our sound designer,
what lovely stuff here.

:43:59
Was that an animator dying
in the background coming up right here?


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