:49:01
It's about...
Part of the purpose of this sequence...
:49:03
is that Sinbad and Marina cooperate
for the first time.
:49:10
Our little ode to snowboarding there.
:49:12
It was tough watching
all those snowboarding videos.
:49:16
I think David James had a good time.
:49:20
Lots of great design
from David throughout this.
:49:22
The drawings he did were just so clear...
:49:25
for such an elaborate space.
:49:27
- Ouch.
- The rhythm of this sequence is great.
:49:29
I don't know how much editing
you guys had to do but it's kind of...
:49:32
For all of the work that we do
in layout and story...
:49:35
it really does come down
to cutting it together...
:49:38
with a sort of live-action feel.
Tom Finan, our editor...
:49:41
was very aggressive in the way
he would both cut things...
:49:44
and then ask for shots,
actually request ways...
:49:46
in which he could keep the energy feeling...
:49:49
like it was real,
like it was a live-action approach to it.
:49:52
He did a lot of crosscutting,
which is unusual for animation...
:49:55
but it definitely gives the movie
a lot of energy.
:49:58
This shot took forever, the whole family.
:50:04
Seven characters, so you have to imagine...
:50:06
as many as seven people
working on one shot.
:50:08
So that kind of scene
can be in production for months.
:50:11
Beautiful effects animation.
:50:18
Always a challenge to get scale
throughout the picture.
:50:21
There are visual challenges,
animation and lighting challenges...
:50:24
to hint at the size
of the world we're trying to depict.
:50:27
We had to redo the costumes
in these scenes.
:50:29
They were all clothed
with the wrong costume.
:50:31
I think we'd forgotten
to get them ready for winter.
:50:36
So it's significant
that this next scene takes place...
:50:39
in the same location...
:50:41
where Sinbad first attempted
to thank Marina for saving his life.
:50:45
It is now her going back...
:50:48
Iooking at the railing
that was broken in the Sirens sequence...
:50:52
and it's now her turn to thank him.
:50:55
And this scene was storyboarded
by Sharon Bridgeman...
:50:58
and the boards were so full of emotion.