:48:01
I'm doing a gig
across the street, actually.
:48:04
I have an agent. Could I just trouble you
for an autograph?
:48:08
We're busy.
:48:10
-Right. Okay. No heat on that.
-Wrap it up.
:48:14
All right, well, just keep on keeping on.
:48:18
Do what you do.
:48:24
That really puts things into perspective,
doesn't it?
:48:27
"That really puts things into perspectiv--"
Just get me out of the stinking show!
:48:34
So this is your first job, huh?
:48:37
Yes. Yes, it is.
Actually, I was wondering...
:48:41
...is there somebody around
who might have a script?
:48:44
I haven't gone over my lines.
:48:46
They're just gonna set up
the scenes...
:48:49
...and then they're gonna let you all
just kind of wing it.
:48:52
Improv. This director
sounds very progressive.
:48:56
I guess.
:48:58
Who exactly is in this film?
:49:01
Phil Rupp, Lolly Gagger,
Marianna Trench...
:49:06
...and Rebecca Romaine-Staymoist.
:49:10
Phil Rupp.
Never heard of him.
:49:14
-You're kidding.
-No.
:49:16
You never heard of Phil Rupp?
Oh, he's done over 500 films.
:49:21
Hey, what exactly is Pavlov's Dog
about anyway?
:49:27
Pavlov's Dog? It isn't Pavlov's Dog.
It's Pavlov's--
:49:32
--Dong. Scene 1 4, take one.
:49:36
And, action.
:49:38
That's it, Phil, you spring to life now.
Good. Excellent. A little more.
:49:42
Give me some more.
I want some more. Nice.
:49:45
Phil, you disappear now.
The freaks are gonna jump in...
:49:48
...and we discover the whole scene's
a horrible nightmare.
:49:56
Wait. Look, Cher,
if you break this contract...
:49:58
...they'll blackball the both of us.
You'll be finished.