:10:02
If you call that a job. Standing there
in the nude, jiggling your bum.
:10:05
Dancing.
What I do is dance.
:10:07
Those men haven't come to enjoy
your suppleness and sense of rhythm.
:10:11
They're sitting there lusting after
your tits and your bum.
:10:14
I don't know you any more.
- There are other jobs, aren't there?
:10:17
Not everyone's got a father to get them
a dream of a job at the university.
:10:21
I want you to stop.
:10:23
Give me a good reason why I should.
:10:27
Because you can do better than that.
:10:29
I mean, you can do whatever you want.
There's nothing you couldn't do.
:10:32
You can do whatever you want to do.
- Except dance.
:10:43
They're pleased with me in Leuven.
Very pleased.
:10:47
I could be someone there and not
because my father got that job for me
:10:51
but because I'm good at what I do.
:10:54
At The Naked Truth
they're very pleased with me, too.
:10:58
And I'm already someone there.
Because I'm good at what I do.
:11:02
Inge, please, it's difficult enough.
:11:06
And I'm not going to make it
any easier for you, Vic Schoutten.
:11:09
I don't have to justify what I do
to anyone
:11:12
and certainly not
to your narrow-minded colleagues.
:11:16
So you're not going to stop?
- What do you think?
:11:22
It's brown and is in a frame.
:11:24
What?
:11:26
The door, Inge. The door is there.
:11:39
Bloody hell!
:11:41
Excuse me, one moment.
:11:43
Bloody hell!
:11:47
Jos! What will the customers think?
:11:49
Everyone swears sometimes.
:11:51
Madam, don't you ever swear?
You should try it, it helps.
:11:55
What are you doing?
- The alterations you've been on about.