:11:08
And up. Up one piece.
Good, Domingo.
:11:12
Melt. Music.
:11:26
Lift, contretemps...
:11:29
Swing, up and down...
:11:36
Let's stop there. Good.
You have been watching.
:11:39
How much we respect you as an
artist and senior dancer...
:11:44
but we wanted to talk with
you today about class.
:11:47
We'd like you to be an example
the new dancers.
:11:51
And usually you are.
:11:52
But if you change combinations
they think they can change too.
:11:55
But I only change the
combinations at the barre.
:11:57
- They look everything you do...
- But I'm 43 years old...
:12:02
and when it comes to rehearsal
I do what I'm told to do.
:12:06
- You could come in early...
- Let her do what she has to do.
:12:10
Remember we had that girl that
used to come in an hour beforehand?
:12:13
- She's not doing the roles that I...
- But look at Margot Fonteyn...
:12:17
Margot Fonteyn.
Robert knew her very well.
:12:22
I knew her too but not as well
as Robert. We hear you.
:12:26
You know, she was a dame.
:12:29
Do you have anything else you want
to talk about before we finish?
:12:34
Actually I'd like to talk about
the ballet Light Rain.
:12:37
It's a great ballet, but I feel some
of the footwork is too fast.
:12:42
- Like the jete, jete, step...
- So you don't want to be in?
:12:47
Well, it's just that I look
like I'm working in it.
:12:50
- Deborah, we hear you doll.
- We just wanted you to be first.
:12:53
Thank you.
And I feel honored.
:12:56
Where'd you get this salad?
It's terrible.