:32:02
He said out of the side
of his mouth.
:32:05
Gibbon. How are you,
Mr. Dark?
:32:07
Can't... shake.
:32:10
Oh, yes, of course.
l'm sorry.
:32:13
And l wouldn't if l could.
:32:15
l'm here under protest.
:32:17
Well, l see. A kidnap.
:32:27
Little men shouldn't sit
:32:28
where their feet don't touch
the floor.
:32:31
Makes me think
of nursery rhymes.
:32:36
You don't want
:32:37
to see me.
:32:39
What sharpness. What perception.
:32:42
And you don't like it at all
that l've got this.
:32:47
lt's full of clues.
:32:49
No, it's full of pages.
:32:52
Oh, but clues are what
you're supposed to find
:32:54
in a detective story.
:32:56
Am l right, or...
am l right?
:33:02
Jesus. You're good.
:33:05
l know clues are
supposed to lead you
:33:08
to the killer, but, uh...
:33:10
what if they reveal
:33:11
the victim a little
more clearly?
:33:13
You think you're being
interesting, don't you?
:33:16
lf this was a movie, you'd be
on the cutting room floor.
:33:22
Does your book worry you?
:33:24
l want to go back to my bed.
:33:26
lt's vivid and exciting there.
:33:28
Well, you don't
have any visitors.
:33:30
How do you know?
:33:32
Well, does your wife
come and visit you, or...
:33:34
-l'm not married.
-or do you stop her when...?
:33:37
l'm not married.
:33:38
Oh, and period.
:33:39
Oh, oh, yes, l see.
:33:48
Stop it! Stop staring at me!
:33:50
You've never seen
a human pizza before?
:33:56
You... you don't like women,
do you?