1:09:00
Good to see you, man.
1:09:03
Hey, Officer Vargas.
Long time, no see.
1:09:06
Yeah, I´m back now.
Good to see you.
1:09:09
Hey, Vargas.
Where´s that money you owe me?
1:09:11
StiII in the bank
coIIecting interest.
1:09:13
AII right.
1:09:14
How are things
down at the museum?
1:09:16
I´m stiII trying to Iearn
how to use a paintbrush.
1:09:21
-Museum?
-Yeah. My day job.
1:09:24
I´m a security guard
at the Museum of Modern Art.
1:09:26
-ReaIIy?
-Yeah.
1:09:28
PersonaIIy, I wouId get rid
of aII that crap...
1:09:30
and bring in some reaI art.
1:09:32
You know, paintings
of matadors on bIack veIvet.
1:09:35
You know, stuff Iike that.
1:09:40
Hey, Vargas. The usuaI?
1:09:41
Yeah. One IittIe wheeI
from heaven, baby.
1:09:43
And what´II you have?
1:09:45
Uh, just an espresso.
1:09:47
We have coffee.
1:09:49
You have two choices,
take it or Ieave it.
1:09:50
Uh, do you have Dr Pepper?
1:09:53
How about a doughnut?
It´s what we seII here.
1:09:56
OK. What kind
of doughnuts do you have?
1:09:58
ChocoIate, vaniIIa, mapIe,
strawberry, cream...
1:10:01
gIazed, powdered sugar,
with nuts, without nuts...
1:10:04
with sprinkIes,
without sprinkIes.
1:10:05
What was the third one?
1:10:07
Just give him a pIain
doughnut, aII right?
1:10:10
Thanks.
1:10:12
You know your probIem, TerriII?
1:10:14
You´re compuIsive about
not being compuIsive.
1:10:16
ReaIIy? What´s your probIem?
1:10:21
That I ain´t a cop no more.
1:10:24
You know, suppose
we do find Bruton...
1:10:28
and suppose you know it was
Bruton who kiIIed your wife...
1:10:32
and you can´t prove it.
1:10:35
What are you gonna do?
1:10:38
I´m not gonna manufacture
evidence against him...
1:10:41
if that´s what
you´re getting at.
1:10:42
Even if it means getting
a murderer off the street?
1:10:44
A man who might kiII your son?
1:10:46
No.
1:10:49
You know, I´ve been meaning
to ask you something...
1:10:50
for a Iong time...
1:10:52
but untiI tonight,
we weren´t on speaking terms.
1:10:57
Who toId you I pIanted
the bIanket fibers on Stroud?