:44:01
or do you want me to
give you the money, hmm?
:44:05
these are yours, take them back.
:44:07
don't be such a bloody little fool.
:44:08
you think I like being a kept boy?
:44:10
you think I like being
humiliated like this, huh?
:44:12
I'm sorry, I'm sorry. I'm
sorry. I didn't mean it.
:44:15
that makes it even worse.
:44:16
I should never have let
you give me these presents.
:44:18
I should never have let
you lend me that money.
:44:21
by the end of the
month I'll pay you back.
:44:23
I've apologized.
:44:24
don't go to London tomorrow, please.
:44:30
I love you, tom.
:44:34
please.
:44:35
I'm tired. I want to go to bed now.
:44:50
now, that's
the real thing, Julia,
:44:53
or my name's not Jimmie Langton.
:44:55
but I've got some notes.
:44:57
you're still going over the top.
:44:59
you've got to learn restraint.
:45:02
and for Christ's sake,
stop crying, will you?
:45:03
we all know you can turn your
tears on and off like a tap,
:45:07
so turn them off, will you?
:45:10
well, bugger me,
:45:11
you really are crying
this time, aren't you?
:45:14
I can't say I wasn't moved,
:45:16
but you've got to learn to do it
:45:18
so that it seems real.
:45:20
seems to be real,
that's the art of acting.
:45:23
hold the mirror up to nature, ducky,
:45:25
otherwise you'll become a nervous wreck,
:45:27
take to drink
:45:28
and end up a piss artist
playing gin-sodden whores
:45:31
all over Scotland on number-3 tours.
:45:33
technique, that's what
I want you to learn.
:45:36
technique.
:45:42
I saw the light on. can I come in?
:45:45
yes, of course. is something wrong?
:45:48
no. you've been crying.
:45:51
no, no, just a bad dream.
:45:54
what is it, sweetheart?
:45:58
we picked up a couple of girls tonight.