1:20:06
by the way,
1:20:09
she's having a fling with daddy.
1:20:19
"how's your
cousin Millicent?"
1:20:22
and I said you were well.
1:20:24
he wanted to
know-- Michael,
1:20:27
I'm not happy
1:20:28
sitting beside her on the bench.
1:20:30
after all, it's miss Crichton's scene,
1:20:32
I think I'm too dominant here.
1:20:34
well, move if you want to, but where?
1:20:38
there, on the stool, with
my back to the audience.
1:20:42
all I am is a feed in this scene
1:20:44
and it--it
feels wrong
1:20:45
to be on equal footing
with miss Crichton.
1:20:47
I don't mind, really, miss Lambert.
1:20:50
no, no, no, no,
1:20:50
I'm uncomfortable. it feels ungenerous.
1:20:53
Michael, what if I'm discovered there
1:20:57
when the scene starts?
1:20:58
I could sit facing the swing.
1:21:02
then I don't have to move.
1:21:04
I can stay here
1:21:04
right until miss Crichton's exit.
1:21:06
to thunderous
applause, I've no doubt. hmm?
1:21:08
well, I'm--I'm quite
happy to try it.
1:21:13
go from the top.
1:21:17
how was your
interview with sir Philip?
1:21:22
oh!
1:21:23
it was like a scene out of dickens.
1:21:25
he had
the most dread--
1:21:27
you see? it's much better
with me here, isn't it?
1:21:30
well, yes, it is,
1:21:31
as long as you don't mind being
stuck down there for 10 minutes.
1:21:34
mind? why should I mind? I suggested it.
1:21:39
lower. lower.
1:21:43
that's right.
1:21:51
it was like a scene out of dickens.
1:21:54
he had the most dreadful cold.
1:21:56
so I said,
1:21:58
"should I come back another time?