1:22:00
and he said:
1:22:02
"no, no, no, no, no, no."
1:22:18
thank you,
1:22:19
and then give me all
the light you've got.
1:22:21
can't do comedy in the dark.
1:22:23
dolly, darling.
1:22:24
how's it all going?
1:22:25
splendid. how was--
how was France?
1:22:28
splendid. how's Julia?
1:22:29
splendid. and the new girl?
1:22:30
we're ready, Mr. Gosselyn.
thank you, Mr. turnbull.
1:22:33
dolly, have a seat.
1:22:34
thank you, uh, miss Lambert,
1:22:36
Mr. Dexter, miss Crichton on the stage.
1:22:39
hold the banging.
1:22:43
Michael.
1:22:46
I say, that's awfully plain, Julia.
1:22:48
precisely. but I want it for 2 reasons.
1:22:49
firstly, it's awfully
good for the quick change,
1:22:52
just hooks up the back.
1:22:53
second, I simply don't want in any way
1:22:55
to distract from miss Crichton.
1:23:00
all right. happy, Archie?
1:23:02
trousers need shortening a bit,
1:23:04
but that's all.
1:23:05
and miss Crichton?
1:23:08
I don't think it fits her properly.
1:23:11
especially at the waist.
1:23:13
and she's got such a pretty figure,
1:23:15
I think it needs to come
in at least half an inch.
1:23:27
I don't like it.
1:23:27
Julia's being far too angelic.
1:23:31
of all the boys I've
known, and I've known some
1:23:34
until I first met you I was lonesome
1:23:37
and when you came in sight, dear
1:23:38
my heart grew light and this
old world seemed new to me
1:23:43
you're really swell I have to admit
1:23:45
you deserve expressions
that really fit you
1:23:50
"nowadays from j. l."
and the date. very nice.
1:23:55
here's the list. can
you wrap each separately
1:23:57
and have them sent round to the theatre
1:23:59
no later than 5:00 this evening?