:47:03
Goddamned lunatic.
:47:05
Sandush, I'm playing... Sandy!
:47:07
Sandy, I'm playing the Copa!
We're playing the Copa.
:47:10
My dream has come true, I'm playing the Copa!
:47:12
That's great, sweetie.
:47:14
What's the Copa?
:47:18
The Copacabana's the most important nightclub
in the whole world -
:47:22
everybody famous has played here.
:47:24
And one day, you're gonna play here, Bobby.
:47:27
And you're gonna break
all his box office records.
:47:30
You got that?
:47:39
Bobby, Bobby, Bobby!
:47:42
All right.
:47:43
George Kirby is the funniest comic
working today.
:47:46
I never said he wasn't funny.
I said he was a negro.
:47:49
He's breaking house records.
:47:51
If they're a big act, like Sammy Davis,
they can headline here,
:47:55
but they never- and you know that -
they never open at the Copa.
:47:59
Look, Mr Podell,
there's a first time for everything.
:48:02
Why not let one of the great
comedians play here?
:48:04
Because I say so. You understand? It's policy.
:48:08
I understand but, frankly, to hell with policy.
:48:10
This is 1960, not 1860.
:48:13
I heard you had a mouth on you,
kid. Save it for singing.
:48:16
Listen, Mr Podell,
I respect that this is your club, I truly do.
:48:19
But if you don't let George Kirby open for me,
I can't be responsible for the consequences.
:48:24
You threatening me? Hm?
:48:27
I'm cautioning you, Mr Podell.
Have you never heard of a sit-in?
:48:31
A sit what?
:48:33
It's a very popular form of protest today.
:48:36
It's where members of the black
and the white community...
:48:38
actually, all communities,
come together to an establishment
:48:41
that they feel is being unfair
to their brothers and sisters.
:48:45
Then the media shows up,
they hold hands, and they... they sit.
:48:50
Sometimes for days.
:48:53
They sit?
:48:54
Yeah, they sit and erm...
:48:57
And they sing.
:48:59
You know, songs like, what's the...?