:15:01
Are you telling me that
those boundaries are gone now?
:15:11
ln the past, what we did
was started with a bunch of ideas
:15:17
existing on tape from everybody.
:15:19
Then me and James would sit down
and turn those ideas into songs,
:15:23
and then we would tell the rest
of the band what to play
:15:26
and when to play it and how to play it.
:15:28
There was never any...
just other ways of doing it.
:15:33
You know,
it's a whole new thing for me.
:15:37
You know, writing in front of everybody.
:15:41
'Cause l've always just gone
into my own head and wrote stuff down,
:15:45
instead of taking things from outside
and putting them down.
:15:52
You know, I was thinking this is, like,
"These are the hands that da-da-da..."
:15:57
"This is the face that de-de-da-da..."
:15:59
- So, it's like...
- Building a Frankenstein or something?
:16:02
- Yeah. Pretty much.
- Building what?
:16:06
- A Frankenstein.
- "This is the top of my head that's flat..."
:16:10
"These are my boIts."
:16:15
We're on the same stream
of consciousness here.
:16:18
We're just all working
on the same creative wavelength.
:16:22
And it's inspiring to me. Now I can
further express myself with these lyrics
:16:28
now that, you know, James has
opened that door for Lars and l.
:16:33
- This is "clay," right? Not "clam."
- Yeah. "Clay."
:16:37
OK. "These hands finger the clam."
:16:40
These are the eyes
that can't see through me
:16:43
This is the tongue
that speaks on the inside
:16:46
Make sure you really, like,
spit "can't see me."
:16:49
"These are the eyes that can't see me."
:16:51
These are the eyes
that can't see me
:16:54
These are the hands
that drop your trust
:16:57
- This is the...
- Yeah.
:16:59
"This is the eye..." Yeah.